“…On the sea wall just across from Granville Island on the north side…” – Labyrinth Pier – False Creek South – Vancouver

Look closely at the White Labyrinth.

There is a mix of thin outlines and wide finished lines.

I was still in the process of painting the White Labyrinth.

The white dots and shoeprints are from people walking on my wet paint . . .

The Red Heart Labyrinth I had finished painting and it was dry, so no red shoeprints.

View this post on Instagram

#labyrinth #Vancouver

A post shared by Karen Lirenman (@klirenman) on

This entry was posted in City of Labyrinths and tagged , , , , , , , , , , , , . Bookmark the permalink. Both comments and trackbacks are currently closed.
  • Human Calendar

  • Land Acknowledgements

    Traditional: recognizes lands traditionally used and/or occupied by the People or First Nations in parts of the country.

    Ancestral: recognizes land that is handed down from generation to generation.

    Unceded: refers to land that was not turned over to the Crown (government) by a treaty or other agreement.

  • Tsí Tkaròn:to

  • Metro Vancouver

    Labyrinths are made on the traditional, ancestral and unceded territory of the Coast Salish peoples –

    Sḵwx̱wú7mesh (Squamish),

    Stó:lō and

    Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh)

    and xʷməθkʷəy̓əm (Musqueam) Nations.

    Labyrinths are made in traditional, ancestral and unceded territory of

    the Kwantlen,

    the Katzie,

    the Semiahmoo

    and Tsawwassen First Nations.