Repainting – Labyrinth – Wading Pool – Geary Avenue Parkette – Toronto

Labyrinth I painted on the surface of the Wading Pool in Geary Avenue Parkette.

Upon my arrival,

I was surprised at the nuanced gesture of two spirals drawn in the umlaut dots atop the letter ï in my signed name.

The colours, different tints of green, are still visible and viable as Lines of the Labyrinth.

Only the two half circles which extend onto the cement deck surrounding the wading pool were in need of a repaint.

I added a Heart in the centre of the Labyrinth.

Also added the Pi symbol π in the triangle of the Labyrinth connecting the centre and the outer wall.

I was tempted to paint some more art to complement the existing design, yet decided adding an arrow pointing towards the entrance of the Labyrinth was just the right final touch.

This entry was posted in City of Labyrinths and tagged , , , , , , , . Bookmark the permalink. Both comments and trackbacks are currently closed.
  • Human Calendar

  • Land Acknowledgements

    Traditional: recognizes lands traditionally used and/or occupied by the People or First Nations in parts of the country.

    Ancestral: recognizes land that is handed down from generation to generation.

    Unceded: refers to land that was not turned over to the Crown (government) by a treaty or other agreement.

  • Tsí Tkaròn:to

  • Vancouver

    Labyrinths are made on the traditional, ancestral and unceded territory of the Coast Salish peoples –

    Sḵwx̱wú7mesh (Squamish),

    Stó:lō and

    Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh)

    and xʷməθkʷəy̓əm (Musqueam) Nations.

    Labyrinths are made in traditional, ancestral and unceded territory of

    the Kwantlen,

    the Katzie,

    the Semiahmoo

    and Tsawwassen First Nations.