“Below Cambie Bridge, Crop Circle Art” – Spyglass Place Labyrinth – Vancouver

So I finally get around to investing time in repairing my Spyglass Place Labyrinth, and what happens not one full day after doing so?

Someone else goes and changes it and spray paints a tag on the face of the stone in the centre of the Labyrinth.

I hadn’t yet seen this image online and discovered the changes upon visiting it again on my own.

Look closely where the darker lines of dried grass are and you can still make out my original design in placing the rocks.

The ” pi ” / ” π ” triangle at the entrance was removed and reduced to a single line of stones.

I restored it.

And oil sticked a Red Heart on the Centre Stone, outlined in Blue and Yellow.

I opted not to take any of my own pictures.

#belowcambiebridge #cropcircleart #maze #mazeart #rockart

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  • Human Calendar

  • Land Acknowledgements

    Traditional: recognizes lands traditionally used and/or occupied by the People or First Nations in parts of the country.

    Ancestral: recognizes land that is handed down from generation to generation.

    Unceded: refers to land that was not turned over to the Crown (government) by a treaty or other agreement.

  • Tsí Tkaròn:to

  • Vancouver

    Labyrinths are made on the traditional, ancestral and unceded territory of the Coast Salish peoples –

    Sḵwx̱wú7mesh (Squamish),

    Stó:lō and

    Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh)

    and xʷməθkʷəy̓əm (Musqueam) Nations.

    Labyrinths are made in traditional, ancestral and unceded territory of

    the Kwantlen,

    the Katzie,

    the Semiahmoo

    and Tsawwassen First Nations.