“Hop Skip” – Wading Pool Labyrinth – Christie Pits Park – Toronto

Among my signatures in the Labyrinths I design and make, are empty canvas spaces created in-between the turn-arounds.

Often in those canvas spaces, I draw or chalk or paint a smaller Labyrinth design inside.

In my online and real life Labyrinth journeys, I have only ever encountered two or maybe three instances that someone else had made use of this concept.

So, it’s mine. I call dibs. I claim this.

When you see canvas spaces within Labyrinths in Toronto, Vancouver, and elsewhere in the world where I have made and placed semi-permanent Labyrinths, you’ll know it’s one of mine.

It’s among my design signatures.

Labyrinths within Labyrinths within Labyrinths . . .

This image is good close-up of one of them within my Christie Pits Park Wading Pool Labyrinth in Toronto.

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  • Human Calendar

  • Land Acknowledgements

    Traditional: recognizes lands traditionally used and/or occupied by the People or First Nations in parts of the country.

    Ancestral: recognizes land that is handed down from generation to generation.

    Unceded: refers to land that was not turned over to the Crown (government) by a treaty or other agreement.

  • Tsí Tkaròn:to

  • Metro Vancouver

    Labyrinths are made on the traditional, ancestral and unceded territory of the Coast Salish peoples –

    Sḵwx̱wú7mesh (Squamish),

    Stó:lō and

    Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh)

    and xʷməθkʷəy̓əm (Musqueam) Nations.

    Labyrinths are made in traditional, ancestral and unceded territory of

    the Kwantlen,

    the Katzie,

    the Semiahmoo

    and Tsawwassen First Nations.