The south east quadrant of the Vancouver Public Labyrinth dips just enough to allow rainwater to pool into puddle nurturing tall grass . . .
You can still make out the path.
It follows where the grass grew tall around the rocks and stones which outline the Labyrinth . . .
Nature nurturing a Hedge Maze from within my Stone Labyrinth ?
Standing atop the Orange Labyrinth on Labyrinth Pier Vancouver . . .
This Orange Labyrinth was the first in a series that I painted on what I hoped to become Labyrinth Pier Vancouver . . .
Still being walked . . .
Yay !
White and Orange Labyrinths on Labyrinth Pier, Vancouver . . .
My intention was to paint at least five and possibly seven very different Labyrinth Designs, each a different colour.
I was only able to complete four of them.
These two remain visible and walk-able.
This Labyrinth was originally going to be painted yellow.
Instead,
I chose Orange as an impulse buy at the paint store.
It worked out well.
This long exposure confirms it . . .
Look closely in the top left of the image.
You can make out the Heart Labyrinth I painted in Red.
The red paint has since faded,
Nevertheless,
This long exposure re-reveals it !
Look closely at the seam in the boardwalk and the now very faded red outline of my Heart Labyrinth I painted here reveals itself.
For it to last longer, I had intended to repaint it before I left Vancouver.
Aw well.
Will repaint it when I get back.
Look closely again, and you may notice the seam of my Heart Labyrinth aligns with The ‘Finger Paint’ mural on the exterior of The Charleson tower in Downtown Vancouver.
That 416 foot tall mural was created by visual artist Elizabeth McIntosh.
WOW!
This is the first aerial image of Labyrinth Pier, Vancouver I’ve seen.
The Orange and White Labyrinths I painted onto the Pier along the False Creek Seawall south east of Granville Island are easily visible.
My Red and Blue painted Labyrinths are almost invisible.
I am so very grateful for this drone photo!
Look closely at the White Labyrinth.
There is a mix of thin outlines and wide finished lines.
I was still in the process of painting the White Labyrinth.
The white dots and shoeprints are from people walking on my wet paint . . .
The Red Heart Labyrinth I had finished painting and it was dry, so no red shoeprints.