“Learning to walk . . . ” – Wading Pool Labyrinth – Christie Pits Park – Toronto

Some years back in Toronto when I was RE-Painting my Labyrinth in the Wading Pool in the middle of Christie Pits Park, a father of two young boys was surprised to finally meet me.

He had a seven year old and a four year old.

His then four year old had learned to walk by using the lanes of my Labyrinth.

His older brother, who was all of three years old at the time, would spend an hour by himself walking and re-walking and re-walking the Labyrinth.

That hour of parent-free direct attention allowed the dad to focus on his youngest, helping his toddler to learn to walk.

The father told me that they as a family had been walking the Labyrinth almost everyday that they could for the past four years.

I was speechless. I became unusually self-conscious as the Father wanted to snap a photograph of me standing with paintbrush in the Labyrinth.

It was one of the most profound moments during my journey in my City of Labyrinths Project.

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  • Land Acknowledgements

    Traditional: recognizes lands traditionally used and/or occupied by the People or First Nations in parts of the country.

    Ancestral: recognizes land that is handed down from generation to generation.

    Unceded: refers to land that was not turned over to the Crown (government) by a treaty or other agreement.

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    Labyrinths are made on the traditional, ancestral and unceded territory of the Coast Salish peoples –

    Sḵwx̱wú7mesh (Squamish),

    Stó:lō and

    Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh)

    and xʷməθkʷəy̓əm (Musqueam) Nations.

    Labyrinths are made in traditional, ancestral and unceded territory of

    the Kwantlen,

    the Katzie,

    the Semiahmoo

    and Tsawwassen First Nations.